50+ MCQs on Metafiction with Answers for UGC NET / SET Prepration

1. What is metafiction?
a) Fiction that is set in a futuristic world
b) Fiction that deals with supernatural elements
c) Fiction that self-consciously addresses the devices of fiction
d) Fiction that focuses on romance and relationships

2. Which of the following is NOT a characteristic of metafiction?
a) Self-referentiality
b) Breaking the fourth wall
c) Linear storytelling
d) Awareness of its own fictionality

3. Who coined the term “metafiction”?
a) William Shakespeare
b) Vladimir Nabokov
c) John Barth
d) James Joyce

4. Which of the following is an example of metafiction?
a) “Pride and Prejudice” by Jane Austen
b) “To Kill a Mockingbird” by Harper Lee
c) “The French Lieutenant’s Woman” by John Fowles
d) “War and Peace” by Leo Tolstoy

5. In metafiction, what does “breaking the fourth wall” refer to?
a) The narrator’s direct address to the reader
b) A character’s self-reflection
c) Linear storytellingMCQs on Metafiction 
d) Flashback sequences

6. Which author is known for his use of metafiction in works like “Lost in the Funhouse”?
a) Vladimir Nabokov
b) John Barth
c) Italo Calvino
d) Thomas Pynchon

7. What does metafictional writing often reveal about the nature of storytelling?
a) Its limitations and conventions
b) Its adherence to traditional plot structures
c) Its emphasis on realism
d) Its focus on character developmentMCQs on Metafiction 

8. Which of the following is NOT a common technique used in metafiction?
a) Parody
b) SymbolismMCQs on Metafiction 
c) Intertextuality
d) Deconstruction of narrative

9. What distinguishes metafiction from traditional fiction?
a) Metafictional works are always written in the first person.
b) Metafiction draws attention to its own artificiality.
c) Metafictional works must include supernatural elements.
d) Metafictional works follow a linear plot structure.

10. What is the purpose of metafiction?
a) To provide entertainment without any deeper meaning
b) To challenge traditional notions of storytelling
c) To adhere strictly to conventional narrative techniques
d) To avoid addressing the reader directly

11. Which of the following is an example of metafictional writing?
a) A novel about a family’s struggles during the Great Depression
b) A story about a time-traveling detective solving crimes in ancient Rome
c) A novel that includes footnotes commenting on the narrative itself
d) A romance novel set in 19th-century England

12. How does metafiction differ from postmodern fiction?
a) Metafiction is always humorous, while postmodern fiction is serious.
b) Metafiction is a subset of postmodern fiction.
c) Metafiction focuses exclusively on the inner thoughts of characters.
d) Metafiction ignores the conventions of storytelling, while postmodern fiction critiques them.

13. Which literary device is often used in metafiction to blur the lines between reality and fiction?
a) Allegory
b) Irony
c) Meta-commentary
d) Foreshadowing

14. Who is the author of the novel “If on a winter’s night a traveler,” a prime example of metafiction?
a) Italo Calvino
b) Thomas Pynchon
c) Don DeLillo
d) Salman Rushdie

15. In metafiction, what role do footnotes or commentary often play?
a) They provide historical context.
b) They offer insights into character motivations.
c) They comment on the narrative itself.
d) They serve as visual aids.

16. Which of the following is a common theme in metafiction?
a) Exploration of historical events
b) Quest for revenge
c) Examination of the nature of storytelling
d) Romantic love

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17. Which author often employs metafictional techniques in his works, such as “Slaughterhouse-Five”?
a) Kurt Vonnegut
b) Philip K. Dick
c) Gabriel García Marquez
d) David Foster Wallace

18. In metafiction, what does the term “self-referentiality” mean?
a) The story refers to itself or its own creation
b) The story contains multiple references to other works of fiction
c) The story focuses solely on the inner thoughts of the protagonist
d) The story explores themes of identity and self-discovery

19. Which of the following is NOT a common element of metafiction?
a) Nonlinear narrative
b) Intertextuality
c) Linear plot structure
d) Self-referentiality

20. What is the effect of metafictional techniques on the reader?
a) They create a sense of detachment from the story.
b) They engage the reader in a more active role.
c) They limit the reader’s ability to interpret the text.
d) They provide a straightforward reading experience.

21. Which of the following is a common characteristic of metafictional protagonists?
a) They are always heroic figures.
b) They often question their own existence.
c) They are static and unchanging.
d) They are primarily concerned with material possessions.

22. How does metafiction challenge traditional notions of authorship?
a) By emphasizing the authority of the author over the text
b) By blurring the lines between author, narrator, and character
c) By adhering strictly to traditional narrative techniques
d) By excluding the author entirely from the narrative

23. Which of the following is a common technique used in metafiction to engage the reader directly?
a) Breaking the fourth wall
b) Flashbacks
c) Symbolism
d) Foreshadowing

24. What distinguishes metafiction from traditional fiction?
a) Metafictional works are always written in the first person.
b) Metafiction draws attention to its own artificiality.
c) Metafictional works must include supernatural elements.
d) Metafictional works follow a linear plot structure.

25. Which of the following is an example of metafictional writing?
a) A novel about a family’s struggles during the Great Depression
b) A story about a time-traveling detective solving crimes in ancient Rome
c) A novel that includes footnotes commenting on the narrative itself
d) A romance novel set in 19th-century England

26. How does metafiction differ from postmodern fiction?
a) Metafiction is always humorous, while postmodern fiction is serious.
b) Metafiction is a subset of postmodern fiction.
c) Metafiction focuses exclusively on the inner thoughts of characters.
d) Metafiction ignores the conventions of storytelling, while postmodern fiction critiques them.

27. Which literary device is often used in metafiction to blur the lines between reality and fiction?
a) Allegory
b) IronyMCQs on Metafiction 
c) Meta-commentary
d) Foreshadowing

28. Who is the author of the novel “If on a winter’s night a traveler,” a prime example of metafiction?
a) Italo Calvino
b) Thomas Pynchon
c) Don DeLilloMCQs on Metafiction 
d) Salman Rushdie

29. In metafiction, what role do footnotes or commentary often play?
a) They provide historical context.
b) They offer insights into character motivations.
c) They comment on the narrative itself.
d) They serve as visual aids.

30. Which of the following is a common theme in metafiction?
a) Exploration of historical events
b) Quest for revenge
c) Examination of the nature of storytelling
d) Romantic love

31. Which author often employs metafictional techniques in his works, such as “Slaughterhouse-Five”?
a) Kurt Vonnegut
b) Philip K. Dick
c) Gabriel García Marquez
d) David Foster Wallace

32. In metafiction, what does the term “self-referentiality” mean?
a) The story refers to itself or its own creation
b) The story contains multiple references to other works of fiction
c) The story focuses solely on the inner thoughts of the protagonist
d) The story explores themes of identity and self-discovery

33. Which of the following is NOT a common element of metafiction?
a) Nonlinear narrative
b) Intertextuality
c) Linear plot structure
d) Self-referentiality

34. What is the effect of metafictional techniques on the reader?
a) They create a sense of detachment from the story.
b) They engage the reader in a more active role.
c) They limit the reader’s ability to interpret the text.
d) They provide a straightforward reading experience.

35. Which of the following is a common characteristic of metafictional protagonists?
a) They are always heroic figures.
b) They often question their own existence.
c) They are static and unchanging.
d) They are primarily concerned with material possessions.

36. How does metafiction challenge traditional notions of authorship?
a) By emphasizing the authority of the author over the text
b) By blurring the lines between author, narrator, and character
c) By adhering strictly to traditional narrative techniques
d) By excluding the author entirely from the narrative

37. Which of the following is a common technique used in metafiction to engage the reader directly?
a) Breaking the fourth wall
b) Flashbacks
c) Symbolism
d) Foreshadowing

38. In metafiction, what is the primary purpose of drawing attention to the act of storytelling?
a) To confuse the reader
b) To highlight the author’s intelligence
c) To encourage critical thinking about narrative conventions
d) To entertain without any deeper meaning

39. Which literary movement is closely associated with the rise of metafiction?
a) Romanticism
b) Realism
c) Modernism
d) Postmodernism

40. Which of the following is NOT a characteristic of metafiction?
a) Linear storytelling
b) Self-referentiality
c) Breaking the fourth wall
d) Intertextuality

41. Who is considered one of the pioneers of metafiction in the 20th century?
a) William Faulkner
b) James Joyce
c) John Barth
d) Ernest Hemingway

42. What is the role of the reader in metafiction?
a) Passive observer
b) Active participant
c) Critic
d) Editor

43. Which of the following is a common narrative technique in metafiction?
a) Linear plot progression
b) Nonexistent authorial presence
c) Fragmented storytelling
d) Conventional character development

44. Which of the following is NOT a common feature of metafiction?
a) Playfulness with narrative conventions
b) Serious exploration of historical events
c) Commentary on the act of storytelling
d) Blurring the boundaries between fiction and reality

45. What does metafiction reveal about the nature of storytelling?
a) Its limitations and conventions
b) Its adherence to strict rules
c) Its universality and timelessness
d) Its ability to provide definitive answers

46. Which of the following authors is known for incorporating metafictional elements into his works, such as “The Crying of Lot 49”?
a) Thomas Pynchon
b) Toni MorrisonMCQs on Metafiction 
c) J.D. Salinger
d) Milan Kundera

47. In metafiction, what is the purpose of blurring the boundaries between fiction and reality?
a) To confuse the reader
b) To emphasize the artificiality of storytelling
c) To create a sense of authenticity
d) To make the narrative more believable

48. Which of the following is a common theme in metafiction?
a) Exploration of identity
b) Celebration of traditionMCQs on Metafiction 
c) Rejection of modernity
d) Romantic escapades

49. How does metafiction challenge traditional notions of authorship?
a) By reinforcing the authority of the author
b) By disregarding the role of the author entirely
c) By blurring the lines between author and narrator
d) By strictly adhering to conventional narrative techniques

50. Which of the following is NOT a common technique used in metafiction to engage the reader?
a) Breaking the fourth wall
b) Introducing supernatural elements
c) Including footnotes or commentary
d) Employing self-referentiality

Answer

1. c) Fiction that self-consciously addresses the devices of fiction
2. c) Linear storytelling
3. c) John Barth
4. c) “The French Lieutenant’s Woman” by John Fowles
5. a) The narrator’s direct address to the reader
6. b) John Barth
7. a) Its limitations and conventions
8. b) Symbolism
9. b) Metafiction draws attention to its own artificiality.
10. b) To challenge traditional notions of storytelling
11. c) A novel that includes footnotes commenting on the narrative itself
12. d) Metafiction ignores the conventions of storytelling, while postmodern fiction critiques them.
13. c) Meta-commentary
14. a) Italo Calvino
15. c) They comment on the narrative itself.
16. c) Examination of the nature of storytelling
17. a) Kurt Vonnegut
18. a) The story refers to itself or its own creation
19. c) Linear plot structure
20. b) They engage the reader in a more active role.
21. b) They often question their own existence.
22. b) By blurring the lines between author, narrator, and character
23. a) Breaking the fourth wall
24 . b) Metafiction draws attention to its own artificiality.
25. c) A novel that includes footnotes commenting on the narrative itself
26. d) Metafiction ignores the conventions of storytelling, while postmodern fiction critiques them.
27. c) Meta-commentary
28. a) Italo CalvinoMCQs on Metafiction 
29. c) They comment on the narrative itself.
30. c) Examination of the nature of storytellingMCQs on Metafiction 
31. a) Kurt Vonnegut
32. a) The story refers to itself or its own creation
33. c) Linear plot structureMCQs on Metafiction 
34. b) They engage the reader in a more active role.
35. b) They often question their own existence.
36. b) By blurring the lines between author, narrator, and character
37. a) Breaking the fourth wall
38. c) To encourage critical thinking about narrative conventions
39. d) Postmodernism
40. a) Linear storytelling
41. c) John Barth
42. b) Active participant
43. c) Fragmented storytelling
44. b) Serious exploration of historical events
45. a) Its limitations and conventions
46. a) Thomas Pynchon
47. b) To emphasize the artificiality of storytelling
48. a) Exploration of identityMCQs on Metafiction 
49. c) By blurring the lines between author and narrator
50. b) Introducing supernatural elementsMCQs on Metafiction